Each first-year student will enroll in a BC 110 First-Year Seminarcourse. This is a required part of the Baker Core general educationprogram: https://www.bakeru.edu/area-of-study/baker-core/.
These First-Year Seminars are designed to help every Baker student make the transition to college-level writing and critical inquiry. You will be asked toconsider compelling and enduring questions that are central to a21st-century liberal arts education. The course will focus on criticalanalysis of big ideas and enduring questions, and also emphasize thedevelopment of academic writing, oral communication, and informationliteracy skills. Faculty from all disciplines teach compelling andprovocative topics about which we are passionate in order to help youdevelop these skills and engage you in active learning.
Please choose below which BC 110 topics are most appealing to you.
BC110A: “Out of Bounds: Reality TV & Professional Sports” § Tasha Riggins § MWF
9:30-10:20
From Wrexham FC to Formula 1 Racing, sports reality shows are
growing in popularity. This class will examine these reality television shows
as a tool to market their sport, or team. Students will also assess the
cultural effects of this television genre. Finally, the class will decide if
these shows are actually reality, or just cleverly disguised 45-minute
commercials.
BC110B: “Bizarre Burglaries: The Art of the Heist”
- Joanne Janssen - MWF 9:30-10:20
As the
success of Ocean's Eleven suggests, many of us are captivated by heists.
But why? I doubt we condone
theft, but heists seem to capture something different: that rare
combination of unusual daring, tremendous skill, and careful execution. In this class we
will look beyond traditional bank heists to more unusual robberies of orchids, feathers,
paintings, maps, cheese, and more! We will examine what is at stake in these heists: should we see
them as relatively innocent capers or full-blown crimes? These heists also
will give us glimpses into subcultures that revolve around rare objects and
will prompt us to explore what we value—and why.
BC110C:
“Music and Humanity” - Robin Liston - MWF 9:30-10:20
Music
is a universal human experience. Come explore how humans perceive music and use
it to find meaning in life. We’ll study a variety of topics, including music
and the brain, music in society, and music's ability to bring people together. Through
writings about music and scientific research, we will investigate how humanity
is enriched by this complex and powerful art form.
BC110D: “Adult Stories Told through Animation” § Trevor Belt § MWF 9:30-10:20
Animated films and television shows have been a part of our
cultural consciousness for over a century now. From the early Disney films and
Pixar, to Saturday morning cartoons, to the Simpsons, to Star Wars, you can’t
get away from it. And from day one, their creators have used the medium to
examine adult themes. But is the medium successful in doing this? Or do we view
them as “Cartoons for Grown Ups?” In this class we’ll examine the cultural
impact and (sometimes) hidden adult themes of animated films and television
shows, and how they impact American Society as a whole!
BC110E: “Moral Panic! A Survey of Our Favorite Fears” § Ryan Gibb § MWF 9:30-10:20
What do our friends and neighbors do that draws our attention and
ire? What are the ‘kids’ doing these days? Are they normal, or is everything we
know and love just doomed? In this course, we will survey a history of moral
panics. We will discuss the sources of these folk beliefs as well as the public
policies which have resulted from them. What stereotypes do we share that are
not reflective of reality? Can learning facts alter our core understanding
about an issue, group of people, or behavior?
BC110F: “Violence in American Literature, TV & Film” § Tamara Slankard § MWF 9:30-10:20
In
this course we will explore the construction of twentieth- and
twenty-first-century American identity against the backdrop of physical,
psychological, racial, sexual, and even—perhaps—justifiable violence. We will
discuss how artistic representations of violence do far more than simply shock
and titillate: they help us to better understand the connections between
identity, culture, history and art. Note: As the title suggests, a
significant portion of the course content entails visual or narrative
depictions of graphic violence and controversial subject matter.
BC110G: "Gladiators: The Enduring Appeal of Violence” § Anna McCullough § MWF 9:30-10:20
Gladiators were an ancient Roman phenomenon that continues to wield a strong grip on the current imagination. But what exactly do we talk about when we talk about gladiators? To what degree are contemporary ideas about the gladiators actually reflective of the ancient historical realities? What do these modern myths about the gladiators say about our own society and sporting culture? How do we explain the seemingly endless delight that audiences take in watching sportingviolence? Finally, is there any ethical way to be a spectator/consumer of sporting violence? We’ll examine depictions of gladiators in entertainment, mass media, and pop culture, along with scholarly sources, in exploring these questions.
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BC110H:
“Music, Musicians and Meaning” - Trilla
Lyerla - TR 9:30-10:45
What tunes are on your
smartphone’s playlist? Who is your favorite artist or group? What appeals to
you most about the music? Are the lyrics deep or just for fun? What amount of
time do you spend with your AirPods/earbuds in? What meaning do you find in the
music to which you listen? These are just a few of the questions that we will
consider in our survey of the many facets of American popular music, from its
roots to contemporary rap, alternative, country, etc. The course will proceed
in reverse chronology, starting with the music and musicians with which you are
most familiar, then turning back the hands of time, focusing also on the social
trends that have influenced the growth of this music. You will have assigned
readings and listening examples, and will, over the course of the semester,
have the opportunity to discuss, research, write and present on a wide variety
of topics associated with the music, the musicians, and the meaning of
America’s popular music from the last 70 years.
BC110I: “Modern Tyrants” § Ryan Gibb § TR 9:30-10:45
We will examine the rise and rule of modern dictators. What do we
mean by “dictator”? What are the essentials to dictators’ accession to power,
and how do they keep power once they have it? What do attacks on legislators,
judges, the media, political opponents, and elections look like in the 21st
century? How do dictators attract supporters, and how do they define their
necessary scapegoats? Prepare to learn how to become a dictator (or at least
how to recognize them).
BC110J: “Life, Love, and the Civil War in
Southern Appalachia” § Robin Liston § TR 9:30-10:45
Novels give us a glimpse of other people's lives. By reading
Charles Frazier's Cold Mountain, we will see the world through the eyes of Ada, Inman, and Ruby
and discover how historical fiction enriches our present by telling stories
from the past.
BC110K: “Travel: Creativity, Critical Thinking and Morality” § Robyn Long § TR
9:30-10:45
We
will consider travel, particularly international travel, from several points of
view. While travel increases our ability to think critically, our creativity,
and our open-mindedness, it can also harm the people and places that we visit,
contribute to climate change, and challenge our moral behavior. Further, travel
is the privilege of the few, creating disparity between the “travelers” and the
“travel-nots.” We will engage with psychological and philosophical research as
well as travel literature to investigate the “best practices” of travel, travel
equity, and, to a lesser extent, globalization.
BC110L: “Things ’n Stuff” § Tamara Slankard § TR 9:30-10
At
least a hundred years ago, an unidentified armchair psychologist (not
Sigmund Freud) quipped that “sometimes a cigar is just a cigar.” With apologies
to the forgotten speaker, we will investigate a plethora of literary and
popular culture objects that do appear to possess more than mere face
value: artificial limbs, fire sale dolls, UFOs, laundered counterfeit money,
human test subjects, MREs, flask-hiding Bibles, family heirlooms, Infinity
Stones, biomechanical robots…and maybe even Ken. Among the texts we will
analyze and discuss are short fiction by Tim O’Brien, Raymond Carver, Alice
Walker, Sandra Cisneros and Flannery O’Connor, films such as NOPE, the Avengers
saga and Barbie, and television shows like Good Girls, Westworld,
and Stranger Things. You will also have an opportunity to explore the
meaning and significance of “things” in your own life, including a grade school
throwback Show-n-Tell.
BC110M: “America’s Obsession with
True Crime” - Michelle Deming - TR 9:30-10:45
We will explore our obsession with true crime in American
culture. Through documentaries, readings, and podcasts we will examine
sociological perspectives, motives, and typologies of criminal behavior and
bust popular myths. Throughout the course we will investigate serial killing,
murder, domestic terrorism, cults, and more.
BC110N: “The Devil in Salem: Witchcraft in Colonial America” § Ashley Garcia § TR 9:30-10:45
In 1692, 19 people in Salem, Massachusetts were hanged as witches. What caused the hysteria that led to the accusations, prosecutions, and deaths of Salem residents? We will explore over fifty years of scholarship that has attempted to explain the Salem Witch Trials, along with trial transcripts, artwork, films, and works of fiction. Our study will survey the witchcraft craze of the 1600s and will explore issues of religion, superstition, legality, economics, and gender.