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About Me

In order to receive credit at Baker for college coursework, official transcripts must be submitted by the college to Baker University Admissions, PO Box 65, Baldwin City, KS, 66006, or incoming.transcripts@bakeru.edu

Select your top three areas of academic interest:




Global Language Requirement
All Baker students must meet minimum world language proficiency through the beginning level (four years of a single high school world language or 3 hours of college-level credit) before graduation. In addition, students seeking a Bachelor of Arts degree rather than a Bachelor of Science must meet a more advanced world language requirement, which for many students is the second level (two semesters of college-level credit).


BC110 Course Selection
Each first-year student will enroll in a BC 110 First-Year Seminar
course. This is a required part of the Baker Core general education
program: https://www.bakeru.edu/area-of-study/baker-core/.
These First-Year 
Seminars are designed to help every Baker student make the transition to college-level writing and critical inquiry. You will be asked to
consider compelling and enduring questions that are central to a
21st-century liberal arts education. The course will focus on critical
analysis of big ideas and enduring questions, and also emphasize the
development of academic writing, oral communication, and information
literacy skills. Faculty from all disciplines teach compelling and
provocative topics about which we are passionate in order to help you
develop these skills and engage you in active learning.

Please choose 
below which BC 110 topics are most appealing to you.

 

BC110A: “Out of Bounds: Reality TV & Professional Sports” § Tasha Riggins § MWF 9:30-10:20  

From Wrexham FC to Formula 1 Racing, sports reality shows are growing in popularity. This class will examine these reality television shows as a tool to market their sport, or team. Students will also assess the cultural effects of this television genre. Finally, the class will decide if these shows are actually reality, or just cleverly disguised 45-minute commercials. 

 

BC110B: “Bizarre Burglaries: The Art of the Heist” - Joanne Janssen - MWF 9:30-10:20

As the success of Ocean's Eleven suggests, many of us are captivated by heists. But why? I doubt we condone theft, but heists seem to capture something different: that rare combination of unusual daring, tremendous skill, and careful execution. In this class we will look beyond traditional bank heists to more unusual robberies of orchids, feathers, paintings, maps, cheese, and more! We will examine what is at stake in these heists: should we see them as relatively innocent capers or full-blown crimes? These heists also will give us glimpses into subcultures that revolve around rare objects and will prompt us to explore what we value—and why.   

 

BC110C: “Music and Humanity” -  Robin Liston - MWF 9:30-10:20

Music is a universal human experience. Come explore how humans perceive music and use it to find meaning in life. We’ll study a variety of topics, including music and the brain, music in society, and music's ability to bring people together. Through writings about music and scientific research, we will investigate how humanity is enriched by this complex and powerful art form.

 

BC110D: “Adult Stories Told through Animation” § Trevor Belt § MWF 9:30-10:20 

Animated films and television shows have been a part of our cultural consciousness for over a century now. From the early Disney films and Pixar, to Saturday morning cartoons, to the Simpsons, to Star Wars, you can’t get away from it. And from day one, their creators have used the medium to examine adult themes. But is the medium successful in doing this? Or do we view them as “Cartoons for Grown Ups?” In this class we’ll examine the cultural impact and (sometimes) hidden adult themes of animated films and television shows, and how they impact American Society as a whole!  

 

BC110E: “Moral Panic! A Survey of Our Favorite Fears” §  Ryan Gibb § MWF 9:30-10:20 

What do our friends and neighbors do that draws our attention and ire? What are the ‘kids’ doing these days? Are they normal, or is everything we know and love just doomed? In this course, we will survey a history of moral panics. We will discuss the sources of these folk beliefs as well as the public policies which have resulted from them. What stereotypes do we share that are not reflective of reality? Can learning facts alter our core understanding about an issue, group of people, or behavior?   

 

BC110F: “Violence in American Literature, TV & Film” § Tamara Slankard § MWF 9:30-10:20 

In this course we will explore the construction of twentieth- and twenty-first-century American identity against the backdrop of physical, psychological, racial, sexual, and even—perhaps—justifiable violence. We will discuss how artistic representations of violence do far more than simply shock and titillate: they help us to better understand the connections between identity, culture, history and art. Note: As the title suggests, a significant portion of the course content entails visual or narrative depictions of graphic violence and controversial subject matter. 

 

BC110G: "Gladiators: The Enduring Appeal of Violence” § Anna McCullough § MWF 9:30-10:20 

Gladiators were an ancient Roman phenomenon that continues to wield a strong grip on the current imagination. But what exactly do we talk about when we talk about gladiators? To what degree are contemporary ideas about the gladiators actually reflective of the ancient historical realities? What do these modern myths about the gladiators say about our own society and sporting culture? How do we explain the seemingly endless delight that audiences take in watching sporting
violence? Finally, is there any ethical way to be a spectator/consumer of sporting violence? We’ll examine depictions of gladiators in entertainment, mass media, and pop culture, along with scholarly sources, in exploring these questions

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BC110H: “Music, Musicians and Meaning” -  Trilla Lyerla - TR 9:30-10:45

What tunes are on your smartphone’s playlist? Who is your favorite artist or group? What appeals to you most about the music? Are the lyrics deep or just for fun? What amount of time do you spend with your AirPods/earbuds in? What meaning do you find in the music to which you listen? These are just a few of the questions that we will consider in our survey of the many facets of American popular music, from its roots to contemporary rap, alternative, country, etc. The course will proceed in reverse chronology, starting with the music and musicians with which you are most familiar, then turning back the hands of time, focusing also on the social trends that have influenced the growth of this music. You will have assigned readings and listening examples, and will, over the course of the semester, have the opportunity to discuss, research, write and present on a wide variety of topics associated with the music, the musicians, and the meaning of America’s popular music from the last 70 years.

 

BC110I: “Modern Tyrants” §  Ryan Gibb § TR 9:30-10:45 

We will examine the rise and rule of modern dictators. What do we mean by “dictator”? What are the essentials to dictators’ accession to power, and how do they keep power once they have it? What do attacks on legislators, judges, the media, political opponents, and elections look like in the 21st century? How do dictators attract supporters, and how do they define their necessary scapegoats? Prepare to learn how to become a dictator (or at least how to recognize them). 

 

BC110J: “Life, Love, and the Civil War in Southern Appalachia§  Robin Liston § TR 9:30-10:45 

Novels give us a glimpse of other people's lives. By reading Charles Frazier'sCold Mountain, we will see the world through the eyes of Ada, Inman, and Ruby and discover how historical fiction enriches our present by telling stories from the past. 

 

BC110K: “Travel: Creativity, Critical Thinking and Morality” § Robyn Long § TR 9:30-10:45  

We will consider travel, particularly international travel, from several points of view. While travel increases our ability to think critically, our creativity, and our open-mindedness, it can also harm the people and places that we visit, contribute to climate change, and challenge our moral behavior. Further, travel is the privilege of the few, creating disparity between the “travelers” and the “travel-nots.” We will engage with psychological and philosophical research as well as travel literature to investigate the “best practices” of travel, travel equity, and, to a lesser extent, globalization. 

 

BC110L: “Things ’n Stuff” § Tamara Slankard § TR 9:30-10 

At least a hundred years ago, an unidentified armchair psychologist (not Sigmund Freud) quipped that “sometimes a cigar is just a cigar.” With apologies to the forgotten speaker, we will investigate a plethora of literary and popular culture objects that do appear to possess more than mere face value: artificial limbs, fire sale dolls, UFOs, laundered counterfeit money, human test subjects, MREs, flask-hiding Bibles, family heirlooms, Infinity Stones, biomechanical robots…and maybe even Ken. Among the texts we will analyze and discuss are short fiction by Tim O’Brien, Raymond Carver, Alice Walker, Sandra Cisneros and Flannery O’Connor, films such as NOPE, the Avengers saga and Barbie, and television shows like Good Girls, Westworld, and Stranger Things. You will also have an opportunity to explore the meaning and significance of “things” in your own life, including a grade school throwback Show-n-Tell. 

 

BC110M: “America’s Obsession with True Crime” - Michelle Deming - TR 9:30-10:45

We will explore our obsession with true crime in American culture. Through documentaries, readings, and podcasts we will examine sociological perspectives, motives, and typologies of criminal behavior and bust popular myths. Throughout the course we will investigate serial killing, murder, domestic terrorism, cults, and more.


BC110N: “The Devil in Salem: Witchcraft in Colonial America” § Ashley Garcia § TR 9:30-10:45

In 1692, 19 people in Salem, Massachusetts were hanged as witches. What caused the hysteria that led to the accusations, prosecutions, and deaths of Salem residents? We will explore over fifty years of scholarship that has attempted to explain the Salem Witch Trials, along with trial transcripts, artwork, films, and works of fiction. Our study will survey the witchcraft craze of the 1600s and will explore issues of religion, superstition, legality, economics, and gender.